Rodion Konstantinovich Shchedrin is a Russian composer and pianist, winner of the Lenin Prize (1984), USSR State Prize (1972), and the State Prize of the Russian Federation (1992), and is a former member of the Interregional Deputy Group (1989–1991).


Rodion Konstantinovich Shchedrin (Russian: Родион Константинович Щедрин, Rodion Konstantinovič Ščedrin, pronounced [rədʲɪˈon kənstɐnʲˈtʲinəvʲɪtɕ ɕːɪˈdrʲin]; born 16 December 1932) is a Russian composer and pianist, winner of the Lenin Prize (1984), USSR State Prize (1972), and the State Prize of the Russian Federation (1992), and is a former member of the Interregional Deputy Group (1989–1991). He is also a citizen of Lithuania and Spain.


Shchedrin was born in Moscow into a musical family—his father was a composer and teacher of music theory. He studied at the Moscow Choral School and Moscow Conservatory (graduating in 1955) under Yuri Shaporin (composition) and Yakov Flier (piano). He was married to the well-known ballerina Maya Plisetskaya from 1958 until her death in 2015.

Shchedrin's early music is tonal, colourfully orchestrated and often includes snatches of folk music, while some later pieces use aleatoric and serial techniques. In the west the music of Shchedrin has won popularity mainly through the work of Mstislav Rostropovich who has made several successful recordings.

Among his works are the ballets The Little Hump-backed Horse (1955), Carmen Suite (1971), an arrangement by Tony Vernon, Anna Karenina (1971, on the novel by Leo Tolstoy), and Lady with a Lapdog (1985); the operas Not Only Love (1961), and Dead Souls (1976, after Nikolai Gogol's novel); piano concertos, symphonies, chamber and piano music and other works. He composed 24 Preludes and Fugues after he heard those of Shostakovich. Also remarkable is his Polyphonic Notebook.

He has written five concertos for orchestra: the first, variously translated as Naughty Limericks or Mischievous Folk Ditties (neither of which completely get the gist of the Russian which refers to a chastushka (часту́шка), an irreverent, satirical kind of folk song) is by far the best known, and was the work which first established him on the international stage. The second of the Concertos for Orchestra was subtitled Zvony (The Chimes), and was premiered by the New York Philharmonic under Leonard Bernstein as one of the many commissions in honor of the orchestra's 125th anniversary. The third Concerto for Orchestra is based on old music of Russian provincial circuses. Concerto 4, Khorovody (round dances), was written in 1989, and Concerto 5, Four Russian Songs, was written in 1998.

As well as a distinguished composer (he was made a member of the Berlin Academy of Arts in 1989 and received the Russian State Prize from President Boris Yeltsin in 1992), Shchedrin is a virtuoso pianist and organist, taking the piano part for the premieres of the first three piano concertos of his six piano concertos. At a remarkable concert on 5 May 1974 Shchedrin performed the feat of appearing as soloist in all three of his then-completed piano concertos, one after the other. The concert, with the USSR Symphony Orchestra under Evgeny Svetlanov was recorded and released on LP, then CD. Following the collapse of the Soviet regime, Shchedrin has taken advantage of the new opportunities for international travel and musical collaboration, and now largely divides his time between Munich and Moscow.

On June 11–14, 2008 Shchedrin Days took place in Armenia with the participation of Shchedrin and Maya Plisetskaya as honorary guest.

Invited by Walter Fink, he was the 19th composer to be featured in the annual Komponistenporträt of the Rheingau Musik Festival in 2009. He and his wife attended the concerts which included his Russian liturgy The Sealed Angel for choir and flute, performed in Eberbach Abbey. His chamber music included Ancient Melodies of Russian Folk Songs (2007) with the cellist Raphael Wallfisch and himself at the piano, and Meine Zeit, mein Raubtier with tenor Kenneth Tarver and pianist Roland Pontinen who performed it also at the Verbier Festival.

The premiere of a German version of his opera Lolita was performed as the opening night of the Internationale Maifestspiele Wiesbaden in a production of the Hessisches Staatstheater Wiesbaden.

Stage works


  • Not Love Alone, opera in three acts with epilogue (1961). First performance on 25 December 1961 in Moscow by the Bolshoi Theatre Chorus and Orchestra, Y. Svetlanov (cond).
  • Dead Souls, opera in three acts (1976). Libretto by the composer. First performance on 7 June 1977 in Moscow by the Bolshoi Theatre Chorus and Orchestra, Y. Temirkanov (cond).
  • Lolita, opera in three acts after Vladimir Nabokov's novel (1993). Libretto by the composer. First performance: 14 December 1994 in Stockholm by the Royal Opera of Stockholm, Mstislav Rostropovich (cond), Ann-Marget Petterson, John Conklin.
  • The Enchanted Wanderer, opera for the concert stage for mezzo-soprano, tenor, bass, mixed chorus and orchestra (2001-2002). Story by Nikolai Leskov. Libretto by the composer. Commissioned by the New York Philharmonic to Lorin Maazel. First performance on 19 December 2002 in New York by the New York Philharmonic, New York Choral Artists, Lorin Maazel (cond).
  • Boyarina Morozova, choral opera in two parts for four soloists, mixed chorus, trumpet, timpani and percussion (2006). Text from "The Life of the Archpriest Awwakum by himself" and "The Life of Boyarina Morozova". Libretto by the composer. First performance: 30 October 2006 in the Moscow Conservatory in a performance directed by Boris Tevlin.
  • Levsha ("The Lefthander"), opera in 2 acts. Libretto by the composer after the novel by Nikolai Leskov. Concert performance on 26 June, and world stage premiere on 27 July 2013 at the Mariinsky II in St Petersburg, conducted by Valery Gergiev.
  • A Christmas Tale, billed as an "Opéra féerie", libretto by the composer after Leskovs translation of Nemcova's fairy tale. World premiere at the Mariinsky Two in St.Petersburg, conducted by Valery Gergiev, 27 December 2015. The opera contains elements of the original Slavic tale of Cinderella as well as the Russian story of "The Twelve Months".


  • The Little Humpbacked Horse, ballet in four acts (1956). First performance on 4 March 1960 in Moscow by the Bolshoi Theatre, G. Rozhdestvensky (cond).
  • Carmen Suite, ballet in one act (1967). First performance on 20 April 1967 in Moscow by the Bolshoi Theatre Orchestra, Gennady Rozhdestvensky (cond).
  • Anna Karenina, ballet in three acts after Leo Tolstoy(1971). First performance on 10 June 1972 in Moscow by the Bolshoi Theatre, Y. Simonov (cond).
  • The Seagull, ballet in two acts after Anton Chekhov's play (1979). First performance in 1980 in Moscow by the Bolshoi Theatre, Alexander Lazarev (cond).
  • The Lady with the Lapdog, ballet in one act after Anton Chekhov (1985). First performance on 20 November 1985 in Moscow by the Bolshoi Theatre, Alexander Lazarev (cond).


Nina and the Twelve Months (1988). Musical in two acts on a libretto by T. Futjita after Samuil Marshak's story. First performance on 8 August 1988 in Tokyo.

Info: Russian composer and pianist
Index: 6.9
Type: Person Male
Period: 1932.12.16 - ..
Age: 91 years
Area :Russia
Occupation :Composer
Periods :Modernist Music


Update Time:2022-03-19 16:06 / 2 years, 2 months ago.